Hazel Smith and Roger
Dean
This piece of
computer-interactive sound poetry is one of a series being composed by us with
the use of software written in the Verbal Interactivity Project (VIP). VIP is a
development by austraLYSIS, with special input from David Worrall, and operates
in the programming language Python. The computer-interactive performer uses
multiple computer voices, which choose and speak parts of the currently active
or preceding texts in a variety of ways. The texts originate from Hazel's
writing, but are transformed progressively; the performer can take control over
these processes or drive them algorithmically.
Francis Raven
How
important are other people's experiences?
Are they ours if we
think
about them? What's the difference
between your house burning
down
and a friend's house burning down?
Or maybe that's just a way of
justifying stealing another person's experiences for your
own gain.
Jasmine Tutum
Children of the Rhine 2010 is an exploration of
Germany's "Rhineland Bastards" of the Third Reich, and my
interpretation of this history as a mother of bi-national children in today's
Germany . The personal, the historical and the political in living
breathing words. "Electronics and Wha" by Ralf
Freudenberger.
Paper Don't Mean to Hurt You (Radio Edit)
gtrabbit
This piece borrows audio from video games, poetry
readings, my own voice, cable news, pornography, and a disassembled toy piano,
among other sources. It was recorded in my apartment using a usb microphone and
my computer speakers, slowly layering tracks over each other. Though the
foundation of the work is improvisational, it has gone through a great deal of
digital editing.
Andy June
Shane Jesse Christmass
The word was
disorder; however the word depended on certain physical factors. One was that there were clouds all
anguished. Would I content action? The gallows in mist of the tall malady ; New
are these transpositions. . . permutations of the word - that transform in
any order ; It's my garden & the people are mine, mine. Eternity and Heaven
are just psychotic pharmacists ; this composition chooses to cook you another
way ; o'er shoulders bare. . . Enjoy the sonorous poesy. . ..
Shane Jesse Christmass ; 15th June 2010 ; Fitzroy,
VIC.
The little words that
I like so much (George Oppen)
Atlanta Poets Group (with babies)
This piece was performed at the Atlanta Contemporary Art
Center on June 3, 2010, in collaboration with artist David D'Agostino. This is a diagram showing approximate positions within the space. Except for a recording playing during the performance,
the piece is entirely acoustic. The babies are not ours.
