 
 
John M. Bennett   
 +   Tyler Carter   +    Alice Hui-Sheng 
Chang     +   Tim 
Gaze    
 + John 
Havelda   +   John 
Lowther    
 + Evgenij 
Kharitonov   +   
Chad 
Lietz   
+    Will 
Morris    +   Paul Toth +          
            
        Yan 
Jun  
brooklyn chase scene closing 
moment 
    
 
(0:18)
scan 
cluster scan scatter 
 
   (1:05)
brooklyn 
chase scene closing moment… 
is influenced by street violence & sports commentary, being pursued, taxied 
& lunging towards personal abstract compounds- more to follow no 
doubt… 
scan 
cluster scan scatter 
is an underling’s hymn recited from a skyscraper’s 55th floor on 
meltdown Monday, it’s part condemnation & an attempted elevation further, 
the full piece in 14 parts shall be completed & performed soon as a noise 
piece…"  
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The world's top destinations for diving 
and skydiving 
       
(3:24)
[Ed. 
note: This work is licensed for use under the Creative Commons’ Attribution-Noncommercial-No 
Derivative Works 3.0 license.] 
          
The 
world’s top destinations for diving and skydiving 
          
With the sun shining right through my left ear to my right ear, I sit in the 
lounge chair, listening to the opera singer practicing a few windows 
away.
          When 
people dedicate their life to one movement, how do you maintain the 
drama.
          
For a gift idea, I found the tourist guide book for the world 
underneath.
          
It introduced the regular facts for comfort and senses, with the flora and fauna 
sights and architecture ruins as special attractions.
          
Could there be one for the world above as well?
          
What would you encounter while you are in the process of losing 
yourself?
          
Would the excitement of being able to fly take over the fear of the 
death?
          
If it doesn’t, would you encounter the world after and the world 
before?
          
How do you experience others people’s life in a book form?
          
Or a cut down version in a colour photo brochure? 
The 
artist utilised extended vocal technique, sound outside of normal speaking and 
singing, as the sounding object. For the artist, the creation of an artwork is 
primarily for communication purpose. Using human voice as the sound source is 
also for this purpose to be achieved simply and directly. The physical sound 
produced by a mouth and throat organism, under no computer manipulation, is not 
only for the artist to be fully involved during performance, but also to 
challenge the listener with an intimate relationship while 
receiving.
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Brake Neck 
Lungk Sot 
Ahgm
Form Stun 
Fresh Awnful 
 
 
(2:40)
These 
are backward readings of 5 Globbolalia poems, written in a language that has yet 
to be translated. 
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Detached 
Retina 
 
(3:31)
This 
piece is based on a short poem repeated with a delay effect, which eventually 
produces a kind of chant. Oddly, the effects of the delay being random, the 
words often sync with the music and progress into a repetition that seems to 
produce new words. I play guitar at the end, while the rest consists of 
pre-recorded loops for the synths, etc.
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Wutang 
Mountain 
 
(12:34)
about 
this piece:
studio improv with 3 voice works played via earphone.
the 3 
works: by Alice Hui-Sheng Chang, Li Zenghui and Zheng Shijia.
recorded by 
Duan Xiaolin June, 2008 
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Argo 
(2:07) 
STASI (poem 
for Valeri Scherstjanoi)     (3:10)
Angry 
Poema Part 1-4 
   (6:11)
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Tyler Carter
Berlin 
1945 
 
(0:59)
Johnny's 
Cabin  
 
(0:43)
Tyler 
Carter lives in San Francisco. His poetry and prose has most recently been 
published in LIT, EOUGH, and BlazeVox. More audio is 
forthcoming from Action, Yes this Winter, and can also be found on his 
blog at iwantedtowriteanemail.blogspot.com. 
He writes:
     
“These two pieces were composed five years ago with the Microsoft sound editor 
as packaged with Windows 95. 'Berlin 1945' was the end result of a 
thinking/doing dialectic journal in Providence, Rhode Island. Each day, opening 
the notebook, I would write or collage together on the left side something to do 
with 'thinking,' and on the right something to do with 'doing.' After filling 
all the pages, I read each page into the computer beginning with all the 
thinking pages layered on top of one another, then the doing pages, and then put 
the two sides together. The software restricted each recording to sixty seconds 
and every reading that took longer than a minute was thrown out. 'Berlin 1945' 
is the compounded 'thinking' side of the dialectic. 
     
"'Johnny's Cabin' was put together in Ashwood, an unincorporated township in the 
desert of Central Oregon where I was learning Wu Wei meditation. Each morning I 
would sit outside and say 'No Thank You' to every impulse I had to do something, 
be it brush my teeth, move my hand, or write something down. In the afternoons I 
would go for a hike, read a book, or split wood. The source recordings were 
captured with a mini-disc recorder. The female voice is my friend Molly who was 
living in Portland at the time."
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Salvo 
 
(pdf)
Phonetic Matrix Set 1 – 5-Vox Realization 
      
(2:00)
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Jack, are you out 
there? 
    
(1:57)
Fact 
Sheet 
Genre: 
Improvisation
Equipment: 
Fisher-Price walkie talkies, Olympus handheld recorder
Location: 
House on Adair St., Decatur, GA, USA 
Date: 
June 24, 2009
Occasion: 
Wednesday night meeting of Atlanta Poets Group
Trivia: 
Next door neighbor can be heard at approximately 0:42 asking to pick some 
rosemary from the front yard
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Tim Gaze
Banging the Stone 
  (1:35)
The 
Drunk Computer 
  (2:10)
BANGING 
THE STONE into little pieces:  is a severely reductive remix of the poetry 
cd BANGING THE STONE, by John M Bennett & Jim Leftwich (Luna Bisonte Prods, 
2009). 
voice & texts: John M Bennett, treatments: Jim Leftwich, final 
remix: Tim Gaze 
the drunk computer:  my computer doesn't seem to 
know what it's talking about! 
composer: Tim Gaze
  
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Implosion 
of the Vulgar Tongue (1:37)
Implosion of the Vulgar 
Tongue 
(jpg)
Inbred Headlines (0:47)
Inbred 
Headlines (pdf) 
“The 
Implosion of the Vulgar Tongue” is a chiastic reading of the headwords of A 
Dictionary of Buckish Slang, University Wit and Pickpocket Eloquence often 
referred to as The 1811 Dictionary of the Vulgar Tongue. The first and last 
headword, the second and penultimate and so on are combined to form short 
phrases until the piece implodes in the centre of the dictionary.